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Brace yourselves for an enchanting musical journey as Newmoon, the acclaimed shoegaze band from Antwerp, Belgium, unveils their third studio album "Temporary Light." The brand new release promises to mesmerise fans and captivate new listeners. “Temporary Light” weaves a sonic tapestry that harks back to the band’s roots, yet retains a fresh approach that keeps their music alluring. Blending airy vocals with lush guitars, Newmoon creates an immersive sound that sweeps listeners off their feet into a striking world that feels distant yet familiar at the same time. Joined by new drummer, Conor Dawson, "Temporary Light'' marks an exciting chapter in Newmoon's evolution. The band's signature feel for grand yet delicate melodies are enriched by Dawson's rhythmic finesse, adding a layer of depth and musicality to their songs. After a more melodic approach on their previous release, Newmoon returns to embrace their abrasive, dreamy and ethereal sound on “Temporary Light”. With their blooming guitars and gracefully haunting melodies, they captivate listeners throughout the 8 tracks. From gentle melodies and catchy hooks to plush walls of guitars and pummeling drums. “Thick layers of guitars always felt natural to us, and are kind of our main thing. We wanted to explore some ideas that have been in the back of our mind ever since we started this band,” says Bert Cannaerts. “As soon as we let go of trying to write a specific type of album, the songs grew organically and everything just clicked.” Having previously recorded “Space” and the band’s debut EP “Invitation To Hold”, Newmoon enlisted engineer and producer Thomas Valkiers again to record “Temporary Light”. Additionally, Simon Scott of Slowdive,, renowned as one of the key people within the shoegazing genre, is responsible for mastering, truly elevating the sound of "Temporary Light".

“Shoegaze is a genre where you get lost in walls of sound and whatnot. In a psychedelic sound, between reverbs… You need songs. These guys have them. They are very cool.”

• Simon Scott for Binaural.es

For the cover art the band contacted Brussels-based American painter Janise Yntema. “When we saw her painting everything just clicked,” explains Cannaerts. “We were immediately drawn to it and it felt like it fit the theme of the album so well. We got her permission right as we went into the studio so it also gave us some form of visual reference while recording.” The original painting is from 2019 and is titled ‘Morning Sky’.